![]() ![]() Like any program that offers stabilization, expect FCPX to crop in on your image. The second method is to use the program’s built-in stabilization tool. But, with FCPX’s optical flow, we can see how the tool smooths out the choppiness and stabilizes the shots as best as it can. Now, obviously, if you’re working with footage shot at a frame rate that wasn’t intended to be slowed down, this can lead to some horribly choppy, unprofessional-looking footage. This tutorial from Pixel Film Studio shows you just how easy this tool is to use inside Final Cut.įirst, slow down your footage. This includes both color theory and an eye for what the project needs to look like when it’s all said and done.įinal Cut Pro X features an amazing tool called Match Color. ![]() More often than not, however, it falls upon the editor to have a working knowledge of color. Others develop a look with the DP so they can know what they’re shooting. Some productions use professional colorists to fix footage or create the overall look and feel of a film after it’s been shot. Image by Hans Christiansson.Ĭolor correction and color grading ( which are different things) have become a huge part of a video editor’s workflow. Well, let’s talk about what to do, how you can help out the project, and dare I say, fix it in post.Ĭolor Correcting and Color Grading in FCPX As an editor, having a working knowledge of color is essential. One of the worst things you can hear on set is: “We’ll fix it in post.” But, how often does that actually happen where you’re left with a bunch of footage and audio that’s completely unusable. Color, footage stabilization, audio, fixing your project in post can be tricky.
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